Anyone numb to these overplayed [Bach] suites should go to her next concert.
— Lev Bratishenko, Montreal Gazette

Frey’s careful scholarship and brilliant layering of moods and tempos on this, her second album, make for a great program…Frey’s assured technique and natural-sounding musicality. She is one of a growing number of younger performers who can make period instrumental solos sizzle with the same heat as artists using modern instruments and bows.
— John Terauds, Toronto Star

Enterprising Elinor Frey recreates the impact the new instrument had on the classical music establishment of the time with playing of eloquence and style; i.e., that probes the emotional edges of the music's beauty without entirely losing control.
— Laurence Vittes, Huffington Post

Frey’s playing is adroit, expressive and engaging; and she also appears to have the happy ability to marry her own voice to those of the composers, rather than getting in their way.
— Alison Melville, Whole Note Magazine